LOS ANGELES (TheWrap.com) - We all go into nauseating cinema with certain pre-set buttons that directors try to strike -- some people remove it when a dear doggie dies, others strew tears when long-estranged lovers are reunited, and afterwards there are those who strech for their hankies when a plain-spoken father finally articulates his adore for his child.
Me, I'm an easy hold for a dead-mom movie, so when one of those fails to pierce me, it's transparent that whoever's jerking a tears isn't doing his or her job. Which brings us to Cameron Crowe's latest, "We Bought a Zoo."
In revelation a loyal story of author Benjamin Mee (Matt Damon, saddled with a unlucky haircut), who lifted his kids among a menagerie of furious animals following a genocide of his wife, executive and co-writer Cameron Crowe doesn't take things as disastrously off a rails as his prior feature, "Elizabethtown." Still, a formula feel synthetic and sappy, with usually a few too-little-too-late moments where a tragedy of losing a mom or a mom is rubbed with anything imitative grace.
Part of a problem could branch from Fox's enterprise to spin this film into another "Marley and Me," and a resemblances don't finish with a posters featuring animals temperament gratifying present ribbons. Like that progressing hit, this is a film about a author and his family relocating into an huge house, traffic with personal loss, and fighting for camera time opposite a cackle of photogenic and insanely lovable animals.
Or maybe we can pin it on Crowe's collaborator, Aline Brosh McKenna, a initial essay partner that a auteur has ever employed -- or had forced on him, as a box might be. (The initial credited one, anyway.) In usually over a decade as a operative screenwriter, McKenna has been credited with some of a many noxious comedies of a era, including "27 Dresses," "Laws of Attraction," "Three to Tango," and "I Don't Know How She Does It," so maybe a forced regretful calm and paper-thin characterizations are her fault.
In any event, a film follows Benjamin as he moves his happy daughter Rosie (Maggie Elizabeth Jones) and gloomy son Dylan (Colin Ford) into a rather rickety animal park that's in need of both money and a small TLC if it's ever going to open a doors again. The place comes with a staff that includes busy animal consultant Kelly (Scarlett Johansson, frumping herself adult as many as possible), boisterous animal-enclosure engineer Peter (Angus MacFayden), and a handful of others.
The usually ones in this organisation who get anything imitative impression growth are Rosie and her niece Lily (Elle Fanning), and usually since they're there as intensity regretful interests for Benjamin and Dylan, respectively. As for Peter, and Patrick Fugit's Robin, they're fundamentally one-quirk characters who usually exist in a background.
The large tract quandary revolves around an repulsive USDA examiner played by John Michael Higgins, whose say-so dictates either or not a animal park can be open to a public, and not even as means a comic actor as Hitchcock can make this impression anything some-more than a two-dimensional bureaucrat.
"We Bought a Zoo" usually frequency addresses a weird idea that an normal family could, in fact, buy a zoo, and a few moments where a subject comes adult allows Thomas Haden Church to mostly take a film in his handful of appearances as Benjamin's brother. But a ongoing mope-fest about Benjamin blank his mom and his kids yearning for their passed mom are a things of basic-cable cheese-fests.
There's a poetic measure by Sigur Ros frontman Jonsi, though we're authorised to hear it all too infrequently, since Crowe would rather indulge his gusto for aging-boomer stone favorites during a many thuddingly apparent opportunities. Playing Cat Stevens' "Don't Be Shy" over a stage where characters are assembly for a initial time is one thing, though Tom Petty's "Don't Come Around Here No More" to measure a propagandize expulsion? "I Think It's Going to Rain Today" during a rainstorm? Come on!
If anything about "We Bought a Zoo" lingers after a lights come up, it's a opening from Church, and a one from Katie -- she plays a zoo's aging alpha tiger, who usually wants to be put out of his misery. After 124 mins of these shenanigans, we might empathize.
News referensi http://news.yahoo.com/review-cameron-crowes-bought-zoo-tires-hard-000033919.html
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